First-Person Perspectives: Representations of Motherhood in Contemporary Spanish Documentary Film (2013–2023)

Main Article Content

Mariona Visa- Barbosa
https://orcid.org/0000-0002-9261-264X
Margarida Carnicé Mur
https://orcid.org/0000-0003-1031-4030
Lorenzo Javier Torres Hortelano
https://orcid.org/0000-0001-6915-4858

Abstract

This article aims to analyze the spanish non fiction films of the last decade available on video on demand platforms (VoD) in order to observe what type of representations
are made of the reproductive process: menstruation, pre-conception, infertility, pregnancy, childbirth, gestational or perinatal losses, abortions, postpartum, breastfeeding and menopause. Following a systematic search for documentaries that met the inclusion criteria, 10 relevant works were identified, which were analyzed through a quantitative and qualitative approach. The results confirm the emergence of stories that challenge traditional representations of motherhood, although these still coexist with some essentialist discourses. A tendency towards intimacy and to collect women's own voices in the narration of experiences around motherhood is also corroborated, as well as an increase in the visibility of female professionals such as midwives and doulas and of sorority between women. In any case, the social influence of these discourses is limited and coexists with other types of imaginaries.

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Section

ST2. AUDIOVISUAL RESEARCH: NARRATIVE, PRODUCTION AND EMERGING TECHNOLOGIES

Author Biographies

Mariona Visa- Barbosa, University of Lleida

University of Lleida. Department of Philology and Communication. Plaza Víctor Siurana,1. 25003. Lleida. Spain.

She has a doctorate in Social Communication, she is a member of the TRAMA Group and currently PI of the project "Maternities on screen. Representation of the reproductive process in contemporary Spanish fiction" PID2022-137338OA-I00,. Her main lines of research are the representation of identities in the media and social networks.



Margarida Carnicé Mur, University of Lleida

University of Lleida. Department of Philology and Communication. Plaza Víctor Siurana,1. 25003. Lleida. Spain. margarida.carnice@udl.cat
She is currently the principal investigator of the project “MaterScreen. Maternities on screen: Representation of the reproductive process in contemporary Spanish fiction”” PID2022-137338OA-I00 (2023-2026). PhD in Communication from the UPF, she has taught film studies at ESCAC, is a member of the research groups DHIGECS (UB), TRAMA (UdL) and collaborates with international centres such as the Consulta Universitaria del Cinema- CUC (Università degli Studi di Roma Tre).

Lorenzo Javier Torres Hortelano, Rey Juan Carlos University

Rey Juan Carlos University. Av. del Alcalde de Móstoles, 28933 Móstoles, Madrid

lorenzojavier.torres.hortelano@urjc.es

Lorenzo J. Torres is Professor of Audiovisual Communication. Subjects: “Audiovisual Genres”, “Audiovisual Representation” and “Oriental Audiovisual Culture” at the Rey Juan Carlos University (2005-). He has been a television producer and programmer (1995-2003). Professor at the Carlos III University (2003-2005). Vice Dean of Research and International Relations at the Faculty of Communication Sciences at the URJC. Since 2024 he is director of the magazine Trama & Fondo. Culture magazine. Research stays: Yale University (2007), University of Tokyo (2012), National University of Colombia (2014-2016) and the Tokyo Photographic Art Museum in Tokyo (TOP, 2023).

How to Cite

Visa- Barbosa, M., Carnicé Mur, M., & Torres Hortelano, L. J. (2026). First-Person Perspectives: Representations of Motherhood in Contemporary Spanish Documentary Film (2013–2023). Journal ICONO 14, 24(1), e2224. https://doi.org/10.7195/ri14.v24i1.2224

Funding data

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